I guess you know about how much he talked himself, but I thought maybe if I went to the house and talked about it before his wife, though I said to Harry that I didn't know as what his wife wanted made much difference to John--Mr. Hale, 6 (see specific edition in Sources; can be found on Google Books for no charge)
Henderson interrupts this statement by Hale because he is more interested in the facts of what Hale witnessed the day before in the Wright farmhouse, but this statement is important in terms of the play because it provides the first hint that the Wright household had problems with the marital balance of power. From this offhand observation, we learn that the authority of the husband is the only authority in the farmhouse, which in turn suggests the beginning of a motive for Minnie Wright's crime. Hale finds it worthy of mention but does not regard it so highly that he presses the point, while Henderson waves the sentence, but Mrs. Hale and Mrs. Peters find a deeper significance. They elaborate upon this basic issue throughout the remainder of the play as they discover clues to Mrs. Wright's psychology while in her kitchen, but the early foreshadowing of these troubles unifies the play thematically while showing the male disregard for such details in their investigation of the crime.
Well, women are used to worrying over trifles.Mr. Hale, 10
Hale casually makes this statement from which the play takes its title when Mrs. Peters calls attention to what she regards as the significance of the exploded jars of fruit preserves. In doing so, he gently chides the women for lacking the common sense and mental focus to pay attention to the important things, but he suggests that the men should forgive them for their foibles because they are only women and thus deal every day in small, unimportant details. Furthermore, his words imply that because women deal in trifles, women must also be trifles. However, his patronizing tone is undermined throughout the play as the women ultimately outwit the men and prove their worth, and not coincidentally does Glaspell have the women draw together after he utters this sentence. Meanwhile, the men spend all their time looking for evidence because they have forgotten that evidence often consists of the little things - especially when no eyewitnesses are involved.
COUNTY ATTORNEY: No--it's not cheerful. I shouldn't say she had the homemaking instinct.11
MRS. HALE: Well, I don't know as Wright had, either.
The county attorney and Mrs. Hale represent opposing sides in the matter of understanding domestic felicity. On the one hand, Henderson assumes that females are solely responsible for the domestic realm and consequently concludes that any lack of cheer in the Wright farmhouse must result from Mrs. Wright's incompetence. Mrs. Hale resents Henderson's ideas because she recognizes that although domesticity has a physical aspect, the greater part comes from the emotional and mental state of the people in the household. In her mind, because John Wright lacked the ability to empathize with his wife and because he made her feel so lonely, he is the one truly responsible for the unhappiness in their household. Henderson keeps promising to return to the subject of the state of the Wrights' marriage, but he never does and thus never comes to understand her viewpoint.
Well, I don't think she did. Asking for an apron and her little shawl. Worrying about her fruit.Mrs. Hale, 14
Prior to their discovery of the quilt, the birdcage, and eventually the canary, Mrs. Peters claims that she has no idea if Mrs. Wright actually committed the crime, but Mrs. Hale states her definite opinion that Mrs. Wright is innocent, with the implication that no one so focused on trifles such as her fruit preserves and her apron could be guilty. However, Mrs. Hale later proves to be incorrect, which leaves the question of how and why she made her error in thinking. Most likely, her assertion of Minnie Wright's innocence is based partly on loyalty to a friend and partly on her assumption that a concern with trifles is incompatible with a concern with larger problems. However, as Mrs. Hale herself shows when she and Mrs. Peters decide to hide the evidence by pretending to be interested in unimportant matters, taking an interest in smaller details can be a convenient way to hide one's true thoughts. Meanwhile, the faith that Mrs. Hale shows in proclaiming Minnie's innocence is later transferred into a determination to protect her from the law.
But, Mrs. Hale, the law is the law.Mrs. Peters, 15
Mrs. Hale shows anger at the men and particularly at Henderson for what she regards as the sneakiness of using Mrs. Wright's own home as evidence against her, but Mrs. Peters defends the men in her assertion that "the law is the law." With these words, Mrs. Peters reveals her sense of obligation and duty that, as Henderson later notes, derives from her marriage to Henry Peters, the sheriff. She displays nervousness at the thought of Mrs. Wright being the murderer, precisely because that causes a dissonance between her desire to help Mrs. Wright and her desire to follow the law. Ultimately, however, she rejects the assumption that her moral compass must derive solely from her husband's chosen vocation, and she decides that protecting Mrs. Wright at the expense of the law is the option that most fully preserves her personal integrity.
I could've come. I stayed away because it weren't cheerful--and that's why I ought to have come.Mrs. Hale, 19
As Mrs. Hale contemplates Minnie Wright's birdcage and speculates about the whereabouts of the bird, she develops a clearer picture of the Wrights' home life, and she begins to berate herself for negligence, for apathy. As she says, she never visited Minnie Wright because the house lacked a feeling of comfort and welcoming, but she now realizes that she had used the excuse of its cheerlessness to skimp on her duty to other women in general and to Mrs. Wright in particular. The hidden location of the Wright farmhouse made it simpler for Mrs. Hale to ignore the presence of such an unhappy place, but she sees now that her neglect may have contributed to the isolation that drove Mrs. Wright first to solace in a canary and eventually to her murder of her husband. Mrs. Peters tells her not to blame herself, but Mrs. Hale nonetheless sees that she must shoulder the burden of her own wrongdoing as well as that of Mrs. Wright's husband.
Yes--good; he didn't drink, and kept his word as well as most, I guess, and paid his debts. But he was a hard man, Mrs. Peters. Just to pass the time of day with him. (Shivers.) Like a raw wind that gets to the bone.Mrs. Hale, 19
In this quote, Mrs. Hale at first appears to agree with the sentiment of the local people that John Wright was a good man, and she initially substantiates this judgment by noting his good qualities. However, she subsequently undermines the assertion by speaking specifically of his main negative trait, his hard nature. Mrs. Hale's main sphere of experience is domestic, and as a result, she sees that Minnie Wright must have suffered terribly because of John Wright's cold nature. Her reference to a raw wind in turn connects to the cold of the weather outside the farmhouse, which broke Minnie's jars of preserves and which represents Minnie's mental and emotional environment. If Mrs. Hale has criticized herself for not having provided companionship to Minnie, then she doubly condemns John Wright for his abuse of his wife's emotions.
When I was a girl--my kitten--there was a boy took a hatchet, and before my eyes--and before I could get there--(Covers her face an instant.) If they hadn't held me back, I would have-- (Catches herself, looks upstairs, where steps are heard, falters weakly.)--hurt him.Mrs. Peters, 22
In Trifles, Glaspell often uses an innovative dramatic technique that employs mutual monologues, in which both Mrs. Peters and Mrs. Hale speak aloud but in conversation with herself rather than with the other woman. In this passage, Mrs. Peters whispers a revelation about her darkest thoughts as though she can barely stand to admit that they exist. In this moment, she comprehends the horror of the death of Mrs. Wright's canary, and realizes that, although she had previously tried to uphold the law, the law alone cannot deliver true justice - especially in this case, when it comes to John Wright's emotional abuse of his wife. She knows that she cannot let her husband hear her thoughts because he is the sheriff and hence bound to the law, but she acknowledges that she has experienced the desire for revenge. The quote is part of a mutual monologue; Mrs. Hale does not respond directly to her powerful admission but instead wonders to herself about the isolation of a life without children.
I tell you, it's queer, Mrs. Peters. We live close together and we live far apart. We all go through the same things--it's all just a different kind of the same thing.Mrs. Hale, 23
Whereas Mrs. Peters struggles between her duty to the law and her duty to a fellow woman, Mrs. Hale's inner conflict is less a matter of choice and more a matter of gaining a new understanding of her own identity as a woman. This passage is the most explicit statement of her new gender consciousness, as she concludes that she should have known to help Minnie Wright earlier because of the commonality of the female experience. With these words, she explains to Mrs. Peters that although Minnie's life might have been more dire than their own comfortable existence, they still need to empathize with her and support her because they could have been in her place. She juxtaposes "close together" and "same things" with "far apart" and "a different kind" to show that, although they can believe that their lives are different, they must recognize that some aspects remain analogous.
COUNTY ATTORNEY (facetiously): Well, Henry, at least we found out that she was not going to quilt it. She was going to--what is it you call it, ladies!25
MRS. HALE (her hand against her pocket): We call it--knot it, Mr. Henderson.
The final lines of the play are a dialogue between Mrs. Hale and Henderson, the county attorney. His query unifies the play as it echoes similar questions from earlier sections. Mrs. Hale's line is not only a straightforward reply to a question that shows an ignorance of domestic issues, but also wordplay that can be interpreted in multiple manners. In one sense, when she says, "Knot it," she is referring to a technique for making quilts, but she may also be saying that she has knotted away Mrs. Wright's secret, that the women are now knotted together in a unified front to protect Mrs. Wright, or that the women are "not it" in a denial that any of them have broken the law. Furthermore, George Henderson's facetiousness and obvious disregard for the female intellect allows the women to hide away their knowledge without facing suspicion.
Stereotypes and Stereotyping in Susan Glaspell's Trifles
- Length: words ( double-spaced pages)
- Rating: Excellent
Stereotypes in Trifles
I like this play quite a lot. It's got murder, mystery and deceit. It's interesting that the play bases a lot on stereotypes. The men are the sheriff, deputy and the attorney sent out to discover the details of the murder of a man found hanged in his bed. They look carefully in the bedroom and outside in the barn for clues and the women are sent in, I think initially, to gather some things for Mrs. Wright. The women are mocked at by the men. Worrying about things like jelly freezing and sewing. Mrs. Hale "Oh, her fruit; it did freeze. She worried about that when it turned so cold. She said the fire'd go out and her jars would break"; Hale "Well, women are used to worrying over trifles." They are not taken seriously. They are women and are not intelligent enough to understand the concept of solving a murder. The men forgot, it's the little things that bother people the most and for Mrs. Wright, it must have been death of her canary.
I think the canary symbolized Mrs. Wright. Mrs. Hale describes her; "She -- come to think of it, she was kind of like a bird herself - real sweet and pretty, but kind of timid and - fluttery. How - she - did - change"; and like a bird, Mrs. Wright even sang in a choir. But after she got married, every thing stopped. She didn't sing anymore or attend social functions. Like a bird, her house became her cage. The only happiness that she appears to have is with this bird. The bird probably sang when she could not. He was probably a companion to her, she had no children. And like her, he was also caged. Because we do not know, we can only guess that her husband killed her bird. If he killed the bird then he would have killed the only thing that was important to her. He killed her once when he married her and caged her in that house, and he killed her again when he destroyed her bird. "No,. Wright wouldn't like the bird - a thing that sang. She used to sing. He killed that, too." When Mrs. Wright was used to its singing and her world became quiet again, it was too much for her take.
How to Cite this Page
|Stereotypes and Stereotyping in Susan Glaspell's Trifles Essay - Stereotypes in Trifles I like this play quite a lot. It's got murder, mystery and deceit. It's interesting that the play bases a lot on stereotypes. The men are the sheriff, deputy and the attorney sent out to discover the details of the murder of a man found hanged in his bed. They look carefully in the bedroom and outside in the barn for clues and the women are sent in, I think initially, to gather some things for Mrs. Wright. The women are mocked at by the men. Worrying about things like jelly freezing and sewing [tags: Trifles Essays]|| words|
| Essay on The Unbalanced Scale Between Men and Women - The Unbalanced Scale between Men and Women Over an extensive period of time, the issue concerning gender has “consistently occupy the media and the public mind.” (Correll 20). It has established beliefs about the roles of men and women as a whole. “A man is expected always to be strong, impervious to pain, and especially to emotional stress, dominant in the role of lord and master; a woman is expected to be docile, submissive, passive, fulfilled in the role of subordinate.” (Fremon ). It has been concluded for the longest time that women are the inferior gender, biologically, psychologically and socially [tags: gender roles, susan Glaspell , john steinbeck]|
:: 5 Works Cited
| Warnings Against Gender Stereotypes in Early Twentieth-Century American Literature - Many early twentieth-century American writers used conflicts based on female stereotypes as a central theme in their works. For example, the titular character from Mary E. Wilkins Freeman's short story A New England Nun lives a life of domestic solitude, happily sewing and cleaning while separated from her husband to be for nearly fifteen years. Freeman's nun uses her domesticity as an excuse to avoid marrying her fiancé, though she leads him on for most of the story and only avoids marriage after learning of her betrothed's love for another woman [tags: Literary Analysis]|
:: 2 Works Cited
|Susan Glaspell's Trifles Essay - Susan Glaspell's Trifles Susan Glaspell's Trifles explores the classical male stereotype of women by declaring that women frequently worry about matters of little, or no importance. This stereotype makes the assumption that only males are concerned with important issues, issues that females would never discuss or confront. The characters spend the entirety of the play searching for clues to solve a murder case. Ironically, the female characters, Mrs. Peters and Mrs. Hale, uncover crucial evidence and solve the murder case, not the male characters [tags: Susan Glaspell Trifles Essays]|| words|
| Symbolism in Trifles by Susan Glaspell Essay - Symbolism in Trifles by Susan Glaspell In today's society, we generally view upon everyone as equal beings who deserve equal rights. At the turn of the 20th century, this particular view didn?t exist. Men clearly dominated almost every aspect of life and women were often left with little importance. The Wright?s embody this view of roles in Susan Glaspell?s play Trifles. Mrs. Wright was a typical woman who suffered the mental abuse from her husband and was caged from life. In Trifles, a mixture of symbolism of oppression illustrates Mrs [tags: Sybolism Trifles Susan Glaspell Essays]|
:: 1 Works Cited
|The Three Symbols in Trifles by Susan Glaspell Essay - The setting of a story is the physical and social context in which the action of a story occurs.(Meyer ) The setting can also set the mood of the story, which will help readers to get a better idea pf what is happening. The major elements of the setting are the time, place, and social environment that frame the characters. (Meyer ) "Trifles by Susan Glaspell portrays a gloomy, dark, and lonely setting. Glaspell uses symbolic objects to help the audience get a better understanding for the characters [tags: Trifles, Susan Glaspell]|| words|
| Essay on Gender Differences in Susan Glaspell's Trifles - Gender Differences in Trifles Susan Glaspell's play, "Trifles", attempts to define one of the main behavioral differences between man and woman. For most of the story, the two genders are not only geographically separated, but also separated in thought processes and motive, so that the reader might readily make comparisons between the two genders. Glaspell not only verbally acknowledges this behavioral difference in the play, but also demonstrates it through the characters' actions and the turns of the plot [tags: Trifles Susan Glaspell]|
:: 1 Works Cited
|Feminimity and Masculinity in Trifles by Susan Glaspell Essays - Feminimity and Masculinity in Trifles by Susan Glaspell Works Cited Not Included Trifles, a one-act play, written by Susan Glaspell, has an interesting plot about an abusive husband?s murder at the hands of his abused wife on a secluded farm in the Midwest (Russell, pg. 1). The opening scene of the play gives us a great deal of information about the people of the play and their opinions. The play portrays the ways in which men treated women during this time period. The men in the reading reflected a male-oriented society, which caused the women feelings of repression and unappreciation [tags: Trifles Susan Glaspell Essays]|| words|
|Response to Trifles by Susan Glaspell Essay - Response to Trifles by Susan Glaspell The play “Trifles” by Susan Glaspell is type of murder mystery that takes place in the early ’s. The play begins when the sheriff Mr. Peters and county attorney Mr. Henderson come to attempt to piece together what had happen on the day that Mr. Wright was murder. While investigating the seen of the murder, they are accompanied by the Mr. Hale, Mrs. Hale and Mr. Peters. Mr. Hale had told that Mrs. Wright was acting strange when he found her in the kitchen [tags: Plays Susan Glaspell Murder Mystery Essays]|| words|
|Analysis of Trifles by Susan Glaspell Essay - "Trifles" is a play with a unified plot. Although there are verbal flashbacks to the events of the day of the murder of John Wright, the play's entire plot begins and ends in a span of one day. The author also extends the unified plot to create a single setting (the farmhouse kitchen). The plot centers on John Wright's murder. Mrs. Wright is the main suspect; an investigation is taking place as to the motive or reason for the crime. The Sheriff, Mr. Hale and the County Attorney are introduced first to the audience [tags: Susan Glaspell]|| words|
Susan Glaspell Trifles Stereotypes Stereotyping Mrs. Hale Little Things Only Thing Married
So she did to him what he did to her bird. She simply choked the life out of him, like he did to her bird or like he did to her when he married her. By doing this, did she release herself from her entrapment or did she just satisfy her rage? Because she is again imprisoned.
Why do the women help Mrs. Wright? These could be a few reasons. 1) They realized that she had been punished enough. She was alone. Never attended women's organizations or sang in the choir, which is something that she enjoyed before she was married. Her life had been caged already. 2) The women remember a time when something very dear to them was destroyed and the rage they felt. A justification for a crime. 3) The men would not think this was a valid reason for murder. It was only a little canary. No big deal-- right. (A trifle, something of little value or importance) 4) They may have felt that by destroying the evidence, they would help to release Mrs. Wright. 5) They felt guilty for not helping or realizing that she was having problems. or 6) They became an alliance together, against the men and the oppression that they and Mrs. Wright were going through. The things that they felt to be important were regarded as meaningless. They were not even asked for their opinion about the murder or a just cause. Even though we learn through them the real reason for the murder.