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Essay Of Blindness Saramago Movie

Summary

In the middle of rush hour, in a nameless city, a man goes blind at an intersection. Suddenly struck blind, he flails and screams until someone takes pity on his situation and offers to drive him home. Once the good samaritan gets the blind man to his apartment, he offers to stay with him until the first blind man's wife arrives. The first blind man hurries him off and says that he will be fine.

Navigating blind in his own house, the first blind man knocks over a vase full of flowers and cuts himself. Despairingly, he bandages himself the best he can and falls asleep. When his wife arrives, she is first upset about the broken vase until she sees the blood and realizes that something is very wrong. Talking to her husband about his condition, she realizes that this blindness is even stranger, in that, instead of seeing nothing, he sees a milky whiteness everywhere he looks. She resolves to take him to the eye clinic as quickly as possible. Descending from their apartment, the first blind man's wife cannot find the car. They quickly realize that the good samaritan has stolen the car. Infuriated and discouraged, they take a taxi to the clinic.

Arriving at the clinic, they are hurried straight to the attending doctor, in front of an old man with cataracts, a boy with a squint and a young girl with conjunctivitis. After performing a series of tests, the doctor is completely baffled since the man's eyes show no sign of lesion or of damage, but he promises the man that he will contact his colleagues and do some research.

Analysis

In the beginning of the novel, the main issues are put forth. The epidemic has no identifiable cause, nor known mode of transmission. Many themes that are present in the novel are anticipated in this first section. The epigraph of the novel also suggest an allegorical reading that is developed here.

Firstly, in the blindness of the first man we see a foreshadowing of the infrastructure breakdown that will grip the city after the spread of the white sickness. It is important that the first man struck blind is affected while in his car, an effect which will be repeated millions of times as the disease spreads. In this first moment of blindness, we also see the ambivalence of the people surrounding the blind man. This will be amplified later into the open antagonism of the quarantine and the shootings of the infected. The exploitation of the blind man's situation by the car thief is also indicative of the predatory nature of humanity that is stressed throughout the book.

Secondly, we see the importance of belonging and of the home when the blind man returns to his apartment not only to not recognize it, but to actually injure himself. This shows that even the home can become a place of danger very easily. It also reinforces the idea that will come later that "home" is not just a function of a physical place, but a function of belonging in general.

Thirdly, in this section we begin to see the impotence of medicine. In Blindness, medicine functions as a metonymy for the whole of modern life. Medicine is the discipline where all of the benefits of modernity are brought to bear on the most fundamental problems of human life. All of the other aspects of modern life, modern government, culture and economy, for example, are useless without life and without health. The fact that medicine fails, even in this small sense, shows the eminent failure of the entirety of the modern world.

The epigraph at the beginning of the novel is taken from the Book of Exhortations; "If you can see, look. If you can look, observe." This calls to mind a dominant theme in Western thought–the metaphorical connection between sight and understanding. In Plato's "Allegory of the Cave," captives are held in a cave unable to see anything but reflections of light from the outside world on the stone in front of them. This is meant to allegorize man's relationship to the world of the Platonic Forms and truth, of which we know only reflections and shadows. The blindness of the novel operates in this same allegorical vein, using blindness as a metaphor for ignorance. The blindness in the platonic allegory serves as a barrier to understanding just as the blindness in the novel is itself something incomprehensible – the doctors are baffled as to its cause, how it spreads and what can stop it. Blindness, in short, cannot contemplate itself – just as the ignorant in Plato's cave do not know that they live in a cave, ignorant even of their own ignorance.

For the film adaptation of the novel, see Blindness (film).

Blindness (Portuguese: Ensaio sobre a cegueira, meaning Essay on Blindness) is a novel by Portuguese author José Saramago. It is one of his most famous novels, along with The Gospel According to Jesus Christ and Baltasar and Blimunda. In , Saramago received the Nobel Prize for Literature, and Blindness was one of his works noted by the committee when announcing the award.[citation needed]

Plot summary[edit]

Blindness is the story of an unexplained mass epidemic of blindness afflicting nearly everyone in an unnamed city, and the social breakdown that swiftly follows. The novel follows the misfortunes of a handful of characters who are among the first to be stricken and centers on "the doctor's wife," her husband, several of his patients, and assorted others, who are thrown together by chance. After lengthy and traumatic quarantine in an asylum, the group bands together in a family-like unit to survive by their wits and by the unexplained good fortune that the doctor’s wife has escaped the blindness. The sudden onset and unexplained origin and nature of the blindness cause widespread panic, and the social order rapidly unravels as the government attempts to contain the apparent contagion and keep order via increasingly repressive and inept measures.

The first part of the novel follows the experiences of the central characters in the filthy, overcrowded asylum where they and other blind people have been quarantined. Hygiene, living conditions, and morale degrade horrifically in a very short period, mirroring the society outside.

Anxiety over the availability of food, caused by delivery irregularities, acts to undermine solidarity; and lack of organization prevents the internees from fairly distributing food or chores. Soldiers assigned to guard the asylum and look after the well-being of the internees become increasingly antipathetic as one soldier after another becomes infected. The military refuse to allow in basic medicines, so that a simple infection becomes deadly. Fearing a break out, soldiers shoot down a crowd of internees waiting upon food delivery.

Conditions degenerate further as an armed clique gains control over food deliveries, subjugating their fellow internees and exposing them to rape and deprivation. Faced with starvation, internees battle each other and burn down the asylum, only to discover that the army has abandoned the asylum, after which the protagonists join the throngs of nearly helpless blind people outside who wander the devastated city and fight one another to survive.

The story then follows the doctor's wife, her husband, and their impromptu “family” as they attempt to survive outside, cared for largely by the doctor’s wife, who can still see (though she must hide this fact at first). The breakdown of society is near total. Law and order, social services, government, schools, etc., no longer function. Families have been separated and cannot find each other. People squat in abandoned buildings and scrounge for food. Violence, disease, and despair threaten to overwhelm human coping. The doctor and his wife and their new “family” eventually make a permanent home in the doctor's house and are establishing a new order to their lives when the blindness lifts from the city en masse just as suddenly and inexplicably as it struck.

The doctor's wife[edit]

The doctor's wife is the only character in the entire novel who does not lose her sight. This phenomenon remains unexplained in the novel. Unable to leave her husband to be interned, she lies to the doctors and claims to be blind. At this point she is interned with the rest of the afflicted. Once inside, she attempts to help the compound organize, but she is increasingly unable to hold back the animality of the compound. When one ward begins withholding food and demanding that the women of other wards sleep with them to be fed, she kills the leader of their ward. Once they escape the compound, she helps her group survive in the city. The doctor's wife is the de facto leader of their small group, although in the end she often serves their disabled needs.[1]

The doctor[edit]

The doctor is an ophthalmologist stricken blind after treating a patient with what will come to be called "the white sickness". He is among the first to be quarantined along with his wife. Due to his medical expertise he has a certain authority among those quarantined. Much of this really comes from his wife not having gone blind; she is able to see what is going on on the ward and relay this to her husband. When the group from his ward finally escapes they end up travelling to and staying in the doctor and his wife's apartment. Several of the other main characters had been visiting the doctor's office when the epidemic begins to spread.[1]

The girl with the dark glasses[edit]

The girl with the dark glasses is a former part-time prostitute who is struck blind while with a customer. She seemingly contracted the “white-blindness” while visiting the doctor due to conjunctivitis (hence the dark glasses). She is unceremoniously removed from the hotel and taken to the quarantine. Once inside, she joins the small group of people who were contaminated at the doctor's office. When the car thief gropes her on the way to the lavatory, she kicks him – giving him a wound from which he will eventually die. While inside, she also takes care of the boy with the squint, whose mother is nowhere to be found. At the end of the story, she and the old man with the black eye patch become lovers.[1]

The old man with the black eye patch[edit]

The old man with the black eye patch is the last person to join the first ward. He brings with him a portable transistor radio that allows the internees to listen to the news. He is also the main architect of the failed attack on the ward of hoodlums hoarding the food rations. Once the group escapes the quarantine, the old man becomes the lover of the girl with the dark glasses.[1]

The dog of tears[edit]

The dog of tears is a dog that joins the small group of blind when they leave the quarantine. While he is mostly loyal to the doctor's wife, he helps the whole group by protecting them all from packs of dogs who are becoming more feral by the day. He is called the dog of tears because he became attached to the group when he licked the tears off the face of the doctor's wife.[1]

The boy with the squint[edit]

The boy with the squint was a patient of the doctor's, which is most likely how he became infected. He is brought to the quarantine without his mother and soon falls in with the group in the first ward. The girl with the dark glasses feeds him and takes care of him like a mother.[1]

The car thief[edit]

After the first blind man was struck blind in traffic, a car thief brought him home and, subsequently stole his car. Soon after he went blind, the car thief and the first blind man re-encounter one another in the quarantine, where they soon come to blows. They have no time to resolve their issues, though, since the car thief is the first internee killed by the guards. He is gunned down while trying to ask the guards for medication for his infected leg.[1]

The first blind man[edit]

The first man to go blind is struck blind in the middle of traffic, waiting at a stoplight. He is immediately taken home and then to the doctor's office, where he infects all of the other patients. He is one of the principal members of the first ward - the ward with all of the original internees. He is also the first to regain his sight, when the epidemic is finally over.[1]

The first blind man's wife[edit]

The wife of the first blind man goes blind soon after helping her husband to the quarantine. They are reunited by pure chance in the quarantine. Once inside, she also joins the first ward with the doctor and the doctor's wife. When the ward of hoodlums begins to demand that the women sleep with them in order to be fed, the first blind man's wife volunteers to go, in solidarity with the others.[1]

The man with the gun[edit]

The man with the gun is the leader of the ward of hoodlums that seizes control of the food supply in the quarantine. He and his ward take the rations by force and threaten to shoot anyone who doesn't comply. This ward extorts valuables from the other internees in exchange for food and, when the bracelets and watches run out, they begin to rape the women. He is later stabbed to death by the doctor's wife.[1]

The blind accountant[edit]

This man is not one of those afflicted by the "white sickness"—rather he has been blind since birth. He is the only one in the ward who can read and write braille and who knows how to use a walking stick. Additionally, he is the second in command to the man with the gun in the ward of hoodlums. When the doctor's wife kills the man with the gun, the blind accountant takes the gun and tries to seize control but he is unable to rally support. He dies when one of the rape victims sets fire to the ward.[1]

Style[edit]

Like most works by Saramago, the novel contains many long, breathless sentences in which commas take the place of periods. The lack of quotation marks around dialogue means that the speakers' identities (or the fact that dialogue is occurring) may not be immediately apparent to the reader. The lack of proper character names in Blindness is typical of many of Saramago's novels (e.g. All the Names). The characters are instead referred to by descriptive appellations such as "the doctor's wife", "the car thief", or "the first blind man". Given the characters' blindness, some of these names seem ironic ("the boy with the squint" or "the girl with the dark glasses").

The city afflicted by the blindness is never named, nor the country specified. Few definite identifiers of culture are given, which contributes an element of timelessness and universality to the novel. Some signs hint that the country is Saramago's homeland of Portugal: the main character is shown eating chouriço, a spicy sausage, and some dialogue in the original Portuguese employs the familiar "tu" second-person singular verb form (a distinction absent in most of Brazil). The church, with all its saintly images, is likely of the Catholic variety.

Sequel and adaptation[edit]

Saramago wrote a sequel to Blindness in , titled Seeing (Ensaio sobre a lucidez, literal English translation Essay on lucidity), which has also been translated into English. The new novel takes place in Portugal and features several of the same characters.

An English-language film adaptation of Blindness was directed by Fernando Meirelles. Filming began in July and stars Mark Ruffalo as the doctor and Julianne Moore as the doctor's wife. The film opened the Cannes Film Festival.[2]

In the Drama Desk Award WinningGodlight Theatre Company[3] staged the New York Citytheatricalpremiere of Blindness [4] at 59E59 Theaters. This stage version was adapted and directed by Joe Tantalo. The First Blind Man was played by Mike Roche.[4][5][6]

An outdoor performance adaptation by the Polish group Teatr KTO, was first presented in June It has since been performed at a number of venues, including the Old College Quad of Edinburgh University during the Edinburgh Festival Fringe.

Shortly before his death, Saramago gave German composer Anno Schreier the rights to compose an opera based on the novel. The libretto is written in German by Kerstin Maria Pöhler. Like the German translation of the novel, the opera's title is "Die Stadt der Blinden". It saw its first performance on November 12, at the Zurich Opera House.

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